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  • Robyn’s book TREASURE ME is a finalist in the Bookseller’s Best contest!

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Why I’m Inspired to Write Historical Romances

I’m often asked why I write historical romances—specifically, books set in the Middle Ages.  Quite simply, I love that historical era.  I adore castles and the romanticism of chivalry.  And, dare I say, I love bold, sexy, alpha male knights whose heroics make ladies swoon.

Is it any wonder that when my British husband and I married close to twenty years ago, our song was the theme to the movie Robin Hood; Prince of Thieves?  My heart still flutters when I hear Bryan Adams singing “Everything I Do, I Do it For You.”

My love of all things medieval began as a child, when I listened to fairy tales.  My dad, who is British, often took my sister and me to England during our summer vacations to visit relatives, and he took us to many historic sites.  We visited awe-inspiring churches built centuries ago, ruins of Roman baths, Stonehenge, The British Museum, old graveyards, and other places that left upon me a lasting impression of how fascinating the past can be.

After graduating from university, I further enriched that fascination through a one-year course with Sotheby’s auctioneers in London, England, where I studied silver, glass, porcelain, furniture, jewelry, paintings, and more from the Middle Ages through the 20th century.  It was an amazing year.

An added perk?  I met the tall, dark-haired, charming Brit who became my husband.  And yes, he loves castles, too.

When I started writing medieval romances, I wanted to bring the past I’d experienced to life in a way that was meaningful to me and hopefully other people, too.  To do that, I had to make my characters and story settings three-dimensional.  I needed vital emotional conflicts for my heroes and heroines to struggle to resolve.  I needed to know what foods were cooked, what the different social classes wore, what weapons were used, how a man trained to become a knight, and how wounds were treated.  More simply, I needed sounds, smells, tastes, and textures.  Easy peasy, right?

Um…  No.

I spent many, many hours doing research on the internet.  I brought armloads of books home from the library and jotted pages of notes.  I accumulated a small library of books on kings and armor and medieval recipes (one day, when I’m feeling really ambitious, I’m going to try making a few dishes).

I also bought CD’s of medieval-era music and listened to them while I cooked dinner.  One of the songs started out slowly and then sped up to a vibrant melody accented by drums.  I was captivated.  Immediately I had an idea for the opening chapters of Dance of Desire, a fast-paced, emotional story of a proper noblewoman desperate to save her younger brother who is imprisoned as a traitor and the “barbarian” sheriff she is coerced into marrying to help rescue her sibling.

Dance of Desire was my first novel published in paperback and it won numerous awards.  My daughter, in elementary school at the time, proudly announced to her teachers that her mom was “a published romance author.”

With each book I penned, my love of the Middle Ages grew.  A Knight’s Vengeance, my very first medieval that I wrote when my daughter was a baby (and I revised from start to finish about seven times, because I was still learning how to craft a book) had several secondary male characters who deserved to be heroes of their own books.  The idea of connected novels, all set in the fictional county of Moydenshire I’d created, took seed in my mind.  The Knight’s Series was born.

Originally published in paperback, the first four books will be available again as eBooks on Kindle (A Knight’s Vengeance, Book One, and A Knight’s Reward, Book Two, are are up now, the other two will follow later this year).  My goal for the next year is to write the fifth and final novel and to wrap up the series the way I always envisioned.  And then…  I already have ideas for more medievals.

On trips back to England, my husband and I have taken my daughter sightseeing at some of the historic sites, including ones I visited with my father.  A few years ago we toured Warwick Castle, magnificent to this day.  One of my clearest memories is of standing in an interior room, putting my hand on the smooth stone wall, and just listening, to the voices of modern-day visitors drifting in from outside, but also to the ancient pulse that still seemed to flow within the stone.  It was an amazing moment that snatched my breath away.

When I sit down to write, I feel again that ancient pulse.  It inspires me.  It breathes new life into my words.  And the writer in me is happy.

Do you read historical romances?  What do you find inspiring about them?  Is it the historical setting?  The characters?  I’d love to know! :)

 

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The Break-Up

This blog is about marital disasters, a topic that may seem far from Paris in Love, but it feels terribly close in my current life.  Thankfully, my marriage is healthy and happy, but I’m in one of those periods in which everyone around me seems to be breaking up.  Oh, the stories I’m hearing…

It has made me really think about a question I’m being asked at signing events for Paris in Love.  “Given the title, who exactly is in love?”  The simplest answer is: me.  I fell in love with the city, and so I paid it the same loving attention that we give a new, adored person.  But I also fell in love with my children (again).  Given the time to really listen to them, I discovered that they are growing up into fascinating, complex, and very funny individuals.  I fell in love with my husband (again): we found each other again during the year, in an unexpectedly delightful twist to the year we ran away from home.  And finally, Paris in Love describes a romance we watched throughout the year, which ended with a romantic twist that even I—author of over twenty romances—couldn’t have dreamed up.

But let’s get back to marriages and their possible demise.  Not everybody can sell their house & cars, as we did, and simply fly away to a foreign country.  But almost everybody can arrange, somehow, to spend a day and a night away from home—perhaps by trading babysitting/house duties with friends who have kids.  I think it’s deeply important to run away from home, every once in a while, taking your partner with you.  I’d say that’s the best advice I can draw from Paris in Love.

What’s some advice you’d suggest, for friends who may be heading toward marital disaster?  What’s worked best in your life?

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Winners from Katherine’s Delicious blog

Congrats to Linda Scarchuk and Molly who are the winners from yesterday’s blog! Send me your snail mail via my website at www.katherinegarbera.com.

Thanks to everyone for sharing their ideas on delicious!

Katherine

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Highlights from RT Book Lovers Convention

I attended the RT Booklovers convention in Chicago this past week, along with fellow Quills, Shane Galen and Emily McKay.  The five-day convention is hectic and professional with over a hundred workshops and reader events hosted by authors and industry professionals from all genres.  Aspiring authors can sign up for private chats and pitches with editors and agents. Plus there are fun gatherings and parties every night for all to attend.  Many, like myself and friends, decided to spend quality downtime in the bar at night, giving us time to chat, unwind and regroup.

It was a hectic, fantastic week that thrilled and exhausted me.  I started my professional stint with the Western Reader workshop where all the western authors participating gave out totes to everyone attending.  We had cover models on hand and line dancing, gave out grand prizes and had a great time overall.  I met new readers while reuniting with dear ones, and gave away notepads, pens, trading cards and books.  Nothing was left after the event but smiles.

My second big event was the Harlequin Power and Passion series reader event where everyone attending received bags of goodies and books.  Games were played with the winners getting bags of books.  Authors schmoozed and signed autographs with readers, booksellers and librarians from around the world.  Again, I gave away notepads and more books.   Harlequin had this poster of my latest book printed for the event and for me to keep.  Lovely.

The week ended on Saturday with the Giant Book signing that is also open to the public.  Imagine a ballroom filled with tables of authors and thousands of readers and fans streaming by.  The noise level is intense while readers scramble to get autographs from favorite authors.  Cover models strolled among them for photo opportunities as well.

I came home with tired feet and fond memories.  Many readers faithfully attend this convention every year, and we get new readers from every place the convention is held.  Next year RT Convention will be at the Sheraton Crown Center in Kansas City.

So what about you?  Have you attended this or another writing convention before? Think about coming, even if it’s just to the public book signing.  I’ll be there!

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Delicious!

I was reading Oprah’s magazine and came across a little article by her at the end. She said she loved the word delicious. Just saying it brought a smile to her face and she said that it applied to so many things in life not just food. I read the magazine on my iPad so at the end there was this little credits list and arrows pointing to the different employees of the magazine and what they found delicious. Here are my top three delicious things:

My husband’s kiss–he just tastes perfect.
My mom’s lasagna-nothing and I do mean nothing comes close.
A silly long skirt I have that’s made of imitation silk, um that would be rayon. :) But it feels so delicious next to my skin!

What do you find delicious? I have some READY FOR HER CLOSE-UP notepads that I will send to two lucky blog participants today!

Kathy

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You belong to me

I heard it said once that once a book is out in the world, the characters no longer belong to the author, but instead the reader. I didn’t pay much attention to this tidbit at the time and frankly, as an author, I wasn’t quite so certain I believed it. I rarely think about my readers, all of you out there sitting down with a copy of one of my books and diving in. I have a hard time thinking about someone getting lost in the characters that I create as I do on occasion when I’m reading a particularly great book. Reading becomes harder when you’re a writer, I’m sure many of you have heard a writer say that before. It’s not so much that we’re constantly critiquing the works, it’s just harder to lose yourself in a story.

So back to that statement… I don’t know that I tend to feel particularly possessive about other people’s characters very often. But it has happened. Most recently it happened when I finally succumbed to Hunger Game mania and I dove in. Within a week I had downed all three books and I felt quite thankful that I had waited as long as I did so that I could gorge on all the books instead of waiting for their release as I had done with the Harry Potter books.

But it was after I had read the books and I was sitting in the theatre with my niece watching the movie. She hadn’t seen it and I had taken the advantage of my sister being in town to watch my kids so I could take her daughter to see it since she is also a lover of the books. I became agitated in the movie, annoyed at some of the younger audience members who giggled and snickered during some particularly tender moments. And I realized in that instant why, it was because I was offended that they weren’t getting it, they were making these moments cheap and belittling them. Because those were MY characters. That was MY Katniss and MY Peeta and they could just leave if they couldn’t appreciate what was going on on the screen. Now granted much of the emotional progression of the characters was missing from the movie for the sake of time, but still the movie does a lot very right.

Every now and then you read books. Magical books that dig inside you and burrow deep into your soul. Characters that hang on and refuse to let go. Lots of books are great, wonderful even, but some books go beyond just a good story. Their worlds become so real, so engrossing that to leave them is nearly painful, as if you’re grieving a dear friend. I don’t want to leave the world of the Panem, of Katniss and Peeta and Gale and Haymitch. I don’t want to walk away from them. I felt this when the Harry Potter series ended. Satisfied with the way the story was told, but also a great sadness that the tale was over, that my journey with the characters had come to an end. Of course I can re-read them, but nothing ever feels the same as that first time turning the pages as fast you can (or clicking the kindle button as was my case) and grabbing on to every word so as to not miss one morsel of story.

I don’t know if I ever accomplish that as a writer. I don’t know if I have any readers out there who have been that engrossed in the worlds I create. Mine aren’t as unique and original as those you find in books with a more fantasy bent. But when I read books like these, they make me want to be a better writer, make me want to strive to create characters that haunt readers all the way into their dreams, that make readers clutch the book to their chest and sigh heavily when its all said and done because they’re sad to leave the characters and the world in which they dwell.

So how about you? Can you easily lose yourself in the world of books? What are some of your favorites that have totally captured you and made it hard to leave the characters?

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Tracey Devlyn’s Winner

The winner of Tracey’s book, A Lady’s Revenge, is Kim. Congrats and check your email.

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And the winner of THE RUNAWAY COUNTESS is…

Laurie G.!  Congratulations!  Please check your email for a note from me regarding your prize.   Thanks to everyone who visited with the JQs and Leigh LaValle on Friday! :)

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The Birth of the Nexus – by Guest Blogger Tracey Devlyn

First off, I want to thank Shana and the JQ gang for inviting me to blog. I’m really looking forward to chatting with everyone.

The story idea for A Lady’s Revenge came from a scene that flashed through my mind of a young woman chained to a wooden table in a dungeon. What sparked the image is a mystery, but it intrigued me enough that I wrote it down. Thus, the beginning of my writing career.

Then came the hard part—answering the multitude of questions needed to create a story. What was her name? Why was she in a dungeon? Who held her captive? Where were they holding her? When I set out to answer these questions, I had no idea they would lead me to the Nexus, my fictional group of international spies. I thought it would be fun for us to meander through the process I took to create this elite group of spies, which eventually resulted in a three-book deal.

Now about those questions…

My heroine’s location: I couldn’t come up with a good reason for her to be held in an English dungeon, so I turned my eye toward England’s enemy—France. That was one of my easier questions to answer. Next, I had to determine why she was a prisoner in a French dungeon. My story takes place in the year 1804, which turned out to be perfect fodder for an English-French political conflict. This revelation eventually led to the realization that my heroine needed to be a spy. Perfect! Then all I had to do was make the small connection of her getting caught doing spylike things by the villain.

As you can see, each step took me deeper into a world of espionage. A world I knew nothing about. I spent hours researching and collecting a good deal of valuable information about the political unrest of the time, but I eventually plateaued. No matter how hard I looked, I couldn’t find a single reference to a spy network operating in the Regency period. Finally, I broke down and contacted a researcher used by one of my favorite historical authors. Within a few days, she found an article by Elizabeth Sparrow in The Historical Journal titled The Alien Office, 1792–1806. From there, she located Sparrow’s book Secret Service: British Agents in France, 1792–1815.  Ever heard the term “gold mine?”

In these two resources, I found a wealth of research on an administrative office of what would eventually evolve into Britain’s secret service. The Alien Office’s origins were decidedly not glamorous—unless you think post offices are adventurous. The British government—fearful of a civil uprising that would match the revolution in France—established the “foreign letter office” to open mail sent to and from foreign embassies and their governments. The mail was opened, copied, deciphered and then resealed before being forwarded onto its proper destination.

Where did the Nexus come into all this fabulous research? Sparrow’s investigation revealed that the Alien Office had a connection to both the Home and Foreign Offices. This bit of information was music to my ears. It gave my network of spies a home base. So I created the Nexus, a division of the Alien Office, which took its direction from the Foreign Office. Convoluted? I agree. Positioning the Nexus legitimately within the British government took a great deal of time, ingenuity, and a wonderful research assistant.

But I’m really happy with the result and so glad I sought professional help with the research. It was well worth the money.

Has your research led you to a wonderful and unexpected discovery? What was the most interesting thing you’ve ever learned while doing research for your story?

 

Please leave a comment by 9:00 pm (Central) for a chance to win a print copy of A Lady’s Revenge (U.S. and Canada only, please).

* * *

BRIEF SUMMARY OF A LADY’S REVENGE:

 

A British agent flees her French captor’s torturous dungeon and falls in love with the decoder responsible for her imprisonment.

British agent Cora deBeau has spent the last three years seducing secrets from the most hardened of French spies while searching for her parents’ killer. When her latest assignment goes awry, she suffers at the hands of her French captor until Guy Trevelyan, the Earl of Helsford and master cryptographer, saves her during a daring rescue. Scarred and wary of men, Cora shies away from the one man who could heal her savaged heart.

After rescuing Cora from a French dungeon, Guy discovers it was one of his deciphered messages that led to her captivity. Guy strives to earn her forgiveness while outwitting their enemy. But will he find the scars on her wounded soul run too deep?

* * *

ABOUT THE AUTHOR:

Tracey Devlyn writes historical romantic thrillers (translation: a slightly more grievous journey toward the heroine’s happy ending). An Illinois native, Tracey spends her evenings harassing her once-in-a-lifetime husband and her weekends torturing her characters. For more information on Tracey, including her Internet haunts, contest updates, and details on her upcoming novels, please visit her website at:

 

TraceyDevlyn.com  |  Twitter.com/TraceyDevlyn Facebook.com/AuthorTraceyDevlyn

LadyJanesSalonNaperville.com

 

BUY LINKS

 

Amazon | Barnes and Noble | The Book Depository

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Jaunty Guest: Debut Author Leigh LaValle

Today I’m delighted to welcome debut historical romance author Leigh LaValle to the JQs! In addition to being a writer, Leigh is also a yoga instructor, and today she’s sharing how she incorporates some of her yoga practices into writing (and which can also be applied to other areas of our lives).

The Yoga Way for Writers

The Yamas and Niyamas, or yoga’s ten ethical guidelines, are easy to take off the yoga mat and into the writing chair.

Ahimsa ~ Nonviolence

The first yogic principle is non-harming to self and others. This rule is simple and easy to understand, yet quite hard to live. We are so good, exceptional, really, at beating ourselves up. “I am a terrible writer. This is the worst piece of drivel I have ever written. I should just give up.”

Or, if the mood is so inclined, we are very adept at turning that judgmental voice toward others. “How did she get that contract? Her book isn’t even that good. Obviously the editors are blind to real talent.”

Don’t worry, the yogic texts don’t tell us we must stop having these thoughts. I am sure the Dali Lama has his share of judgmental reactions everyday. The practice is to notice our thoughts and not act on them. These judgments are fleeting, temporary, and not even based on truth. If we can feel into what is underneath the criticism- the fear, jealousy, anxiety- then we can offer ourselves compassion for being human, heartfelt and vulnerable. And we can get back to what is really important- writing.

Satya ~ Truthfulness

We can be truthful in what we say to others- our colleagues and our business partners- as well as truthful to ourselves.  Honoring our life’s path, no matter the discomfort it brings, is a way yogis practice honesty. (Is it really the best choice to write this story now? Am I holding myself back, or holding others back, because of fear?)

In terms of editing, we can be experts at not allowing ourselves to see the true strengths and weaknesses in our manuscripts. Writing partners and editors are really helpful as they don’t have the same needs we do regarding our work. They have a clearer lens. (Do I really need this scene? Does the character arc work, or am I trying to impose something? Am I being truthful with my writing partners, or simply trying to spare their feelings?)

Asteya ~ Nonstealing

We honor the work and ideas of others. We give credit where credit is due. Period.

Brahmacharya ~ Nonexcess

This rule classically applies to the practice of celibacy. In a wider context it relates to self-restraint, or walking the middle path. It encourages us neither to be slothful nor restless with our life energy. Rather, it teaches us to be calm, diligent, and focused.

As we are writing, do we surf the internet incessantly? Consume six cans of soda? Turn into a lump of brain mush? Become a wild bundle of nerves?

Again, we don’t need to stop doing these things. The practice is to notice what we are doing and to bring our attention back with as much calm and focus as we can moment to moment. Otherwise, our bad habits just drag us around on a leash.

Aparigraha ~ Nonpossessiveness

I love this rule, which states there is enough abundance and success for all of us to share. We do not need to grasp or horde from others. Rather than looking at our lives or our careers in terms of what we lack, we look at what we do have, the successes and friends and creativity we are free to enjoy.

Also- this practice instructs us to let go of our stories, to open our hands and give our creations freely into the world without concern for how they are received. Everything passes! The next waves arises and falls away, then the next. Like breath.

Saucha ~ Purity

Yogis try to be clean in their actions and their deeds. We can bring this principle to our writing environments (unless you really do find creative inspiration in a mess) and our bodies. Clear thoughts and a healthy, restful body will go a long way toward inspiring the creative mind.

This is a beautiful principle to apply to writing as well. How can we pare down our words? How can we use the previous five rules to hone our skills, our honesty, our judgment, so that our writing is clean and crisp. How can we erase the excesses, the unnecessary elements, and rest in the simple beauty of our words and our story?

Santosha ~ Contentment

This teaching instructs us to let go of our narrow ideas of happiness- ratings, reviews, sales numbers- and open ourselves to all experiences. The truth is, ratings, reviews and sales numbers are fleeting and not even guaranteed to bring happiness. What is guaranteed to bring happiness? Simply resting in this moment without desire. Happiness is already the case. Suffering is what we are adding by assuming our lives need to look different.

The same goes for working on our manuscript. The more we focus on what is wrong- word count, or imperfect drafts- the less we are able to experience the creative flow that is arising moment to moment. The more we are attuned to the words before us, the deeper we can access our stories and our characters.

Tapas ~ Self-discipline

Another rather self-explanatory rule. Writers have excellent self-discipline. Even if it still feels hard, we are sitting down and writing. So pat yourself on the back next time you get work done on your manuscript.

Svadhyaya ~ Self-study

To improve our craft, we have to understand our talents and our weaknesses. We need to always be curious, open to seeing the truth about ourselves, and willing to learn new things.

Ishvara Pranidhana ~ Surrender

Ah, the final lesson. We can only write the best manuscript we can. After that, there is nothing to do but let go. It is ultimately all out of our hands.

As my teacher says, “Don’t worry. Nothing is under control!”

These rules aren’t only for writers; they can also be applied to other aspects of our lives. Which principle do you struggle with most? For me, it is brahmacharya, or non-excess.

Honestly, it sounds so boring. I do understand the usefulness of it, but I am too addicted to drama. :) One commenter, chosen at random, will win a digital copy of THE RUNAWAY COUNTESS (to be announced Sunday).

The Runaway Countess

Once the darling of high society, Mazie Chetwyn knows firsthand how quickly the rich and powerful turn their backs on the less fortunate. Orphaned, penniless and determined to defy their ruthless whims, she joins forces with a local highwayman who steals from the rich to give to the poor.

Then the pawn broker snitches, and Mazie is captured by the Lord Lieutenant of Nottinghamshire. A man who is far too handsome, far too observant…and surely as corrupt as his father once was.

Sensible, rule-driven Trent Carthwick, twelfth Earl of Radford, is certain the threat of the gallows will prompt the villagers’ beloved Angel of Kindness to reveal the highwayman’s identity. But his bewitching captive volunteers nothing—except a sultry, bewildering kiss.

And so the games begin. Trent feints, Mazie parries. He threatens, she pretends nonchalance. He cajoles, she rebuffs. Thwarted at every turn, Trent probes deep into her one vulnerability—her past. There he finds the leverage he needs and a searing truth that challenges all he believes about right and wrong.

Buy

Amazon:  http://www.amazon.com/The-Runaway-Countess-ebook/dp/B006VY8NIA/ref=sr_1_1?ie=UTF8&qid=1332527855&sr=8-1

Barnes and Noble: http://www.barnesandnoble.com/w/the-runaway-countess-leigh-lavalle/1108218676?ean=9781609287689&itm=1&usri=leigh+lavalle

Samhain: http://store.samhainpublishing.com/runaway-countess-p-6667.html

iBooks: http://itunes.apple.com/us/book/the-runaway-countess/id494364216?mt=11

ABOUT:

Leigh LaValle was born in a time when ladies shopped at the modiste and rogues sent heated looks across a crowded ballroom. Time slipped forward a few hundred years, and she currently lives in the Pacific Northwest with her family. When she is not writing about said ladies and rogues, mommying, or reading, she is rarely seen cleaning. More often, she is found hiking or, when she is really lucky, in the white powder of the ski slopes. She is also a devoted yoga practitioner and instructor.

Connect

Website: www.LeighLaValle.com

Facebook: www.facebook.com/leigh.lavalle

Twitter: www.twitter.com/Leigh_LaValle

Goodreads: http://www.goodreads.com/author/show/5432973.Leigh_LaValle

Blog: www.DashingDuchesses.com

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