ghfghgSo this past weekend former Quill, Emily McKay, and I presented a writing workshop in San Antonio. At the conclusion of our lecture material, we brainstormed a new book idea (not one either of us planned to write) so the participants could see the how-to in action, so to speak. But during the brainstorming, something totally cool happened and it reminded me of how marvelous it is that there are so many different writers out there so that we have so many different story options as readers. 

The story we brainstormed, we pulled straight from the gossip pages – did y’all hear the rumor a few weeks ago about Prince Harry dating Emma Watson (Hermione from the Harry Potter movies)? The internet lit up with this rumor and for a few blessed hours we seemed to have an awesome power couple in the making. Turns out, it was all a rumor. But we ran with that idea as our would-be plot scenario: What happens when a rumor starts that the royal “spare” is dating the actress from a beloved children’s series? Well, if the crown is currently in turmoil, then they make a bargain with both parties to continue their false relationship to busy the paparazzi to deflect from the actual problem. 

So that was the story we bounced around. We got lots of scene ideas and possible conflicts and goals for the two main characters. And then someone asked, well, what if when the crown approaches him about the fake relationship, they leave it up to him to pursue her and she’s not in on the secret? At this point, I got all kinds of excited. This was my kind of conflict. Secrets, the hero as the pursuer, a feisty heroine who will NOT be happy when she discovers whats actually going on. Then we had two clear choices that made for two very different stories. 

Which story would you pick? The one where both the hero and heroine are in on the secret and trying to fake it together? Or the one where only he’s in on the secret and it’s up to him to get the heroine into the relationship (fake or not!)? Why do you think you would choose that over the other option? *Also, how cute would they be as a real life couple? So cute!!!


The Lady Authors have published their second anthology, At the Billionaire’s Wedding

A stately home in the English countryside seems the ideal place for a bad boy billionaire and his bride to tie the knot. Until the Internet fails. And the oven breaks. And paparazzi invade. And police crash the bachelorette party. And four unlikely couples discover that passion never waits for perfection, and happily ever after is just an “I do” away.

AtTheBillionairesWedding_200

Last year, after we finished At the Duke’s Wedding, Caroline Linden, Maya Rodale, Katharine Ashe, and Miranda Neville discussed our next collaboration. “Let’s do a contemporary,” someone said. “Yes, let’s!” we all cried as one. So what, that we were four historical authors with almost no experience in writing about modern life. How hard could it be?

“I have a billionaire who needs a wedding,” Maya said. For Maya had briefly ventured into the twenty-first century with her Bad Boy Billionaire series of novellas. So we borrowed Maya’s couple, Duke and Jane, and proceeded to make their weeklong wedding celebration rife with laughs and sexy times and near disasters as four new couples found love and HEA.

As we wrote the connected stories in At the Billionaire’s Wedding, we had to meet the challenge of a whole new time period: The Present. How could we possibly write about things we knew about at first hand? It was difficult, but we are Professional Writers. We buckled down and gritted it out. It turned out there are many similarities between Regency and modern England, where we wisely decided to hold the wedding.

Historicals: Hot dukes.

Contemporaries: Hot showers.

 

Contemporaries: Shirts that button all the way down.

Historicals: Colin Firth in a wet shirt.

colin

Historicals: Servants.

Contemporaries:  Strippers dressed as servants.

 

Historicals: An elopement to Gretna Green in a coach and four.

Contemporaries:  Two hours from the airport in an Aston Martin.

 

Historicals: Gorgeous gowns that require an expert maid to get into.

Contemporaries: Gorgeous gowns that require a “zip!” to get out of.

 

Historicals: Fantastic foreplay. 

Contemporaries: Ultra pleasure condoms.

 

Historicals: Sex in a closed carriage.

Contemporaries: Sex in a stretch limo.

 

Historicals:  Sex by candlelight in the Gold Saloon.

Contemporaries:  Sex by floodlight in the Gold Saloon.

 

Historicals: No internet.

Contemporaries: Internet—wait, WTF, WHY is there no internet !?!!? 

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What’s your favorite similarity/difference between contemporary and historical romances? The Lady Authors will give a digital copy of At the Duke’s Wedding to one commenter. (Winner randomly chosen and announced Sunday).

 

At the Billionaire’s Wedding may be ordered from the usual vendors: Amazon; Nook; iBooks; Kobo; Google Play. Or read excerpts here.

 

 

 

 

 

 

 


 A Celebration Christmas cover

Shortly after my first book hit the shelves, an acquaintance confided that she almost couldn’t finish reading it because she felt as if she were prying into my life. “It was just so… intimate!” she’d said.  I was equal parts astonished that she actually thought it was autobiographical and flattered that she thought I lived (or once lived) such an exciting life. I mean, I love my life, but it’s vastly different from the fictional worlds I create for my heroines.

After I thought about it, I could see where she might have drawn that conclusion. While I’m a bit older than most of my heroines, I do tend to lend them characteristics and features similar to my own. Still, my heroines are not me. I don’t write about myself as much as I write about observations and what I find interesting.

 

Take, for example, my first book, REINVENTING OLIVIA. It was born one night when my husband and I were out to dinner at a trendy downtown restaurant. As we approached, I heard dance music pulsing from the loft condos above the restaurant. When I looked up, I saw a hand holding a drink over the balcony rail. I thought, wow, if I were young and single that’s where I’d live… and the story took off on its own. So, while Olivia was most decidedly not me, she was definitely a child of my imagination, born out of what-ifs and shades of possibility.

 

I’ll confess that within the pages of my twenty-five (and counting) books I’ve drawn strongly on my own life experiences (because the first rule of writing is write what you know).  I’ve borrowed characteristics from real-life villains (uhh-hmm - bosses) and given them their comeuppance on the page, or rewritten an unsatisfying true-to-life experience so that it ended happily, but the majority of my plots and characters come from the most unexpected places.  That was the case with my book WITH VIOLETS (HarperCollins) – written under my historical nom de plume, Elizabeth Robards.

 

I’ve always been infatuated with the French Impressionists. So when my husband and I went to Paris, I was anticipating a daytrip to Giverny, Claude Monet’s home and famous gardens. Before we boarded a train at the Gare Saint-Lazare, to make our way to Giverny, we stopped at the Musée Marmottan to see Monet’s famous ‘Impression, Sunrise’ (Impression: Soleil Levant), the painting that launched the French Impressionist movement.

 

Little did I know, but I was about to meet painter Berthe Morisot on the second floor of the Musée Marmottan. Not literally, of course, because she died in 1895.  However, I saw her work for the first time and a photograph of her with her family. Something about the photo haunted me and urged me to research her life. In doing so, I discovered the tale of a deeply complex, richly talented woman who bucked nineteenth century convention to become one of the world’s greatest artists and the heroine of WITH VIOLETS.

 

The research and the story were labors of love. And while the Berthe Morisot I wrote is not really like me – well, except for her strong, independent streak and a great passion for what she loved – I think there’s a little bit of every woman in her.

In my next release A CELEBRATION CHRISTMAS (Harlequin Special Edition, November 2014). I  drew inspiration from one of my favorite movies THE SOUND OF MUSIC. To make it my own, I gave it a Christmas twist. Here’s the back cover copy:

THE GREATEST GIFT OF ALL 

Lily Palmer is in for the Christmas of a lifetime! When the nanny signs up to watch Dr. Cullen Dunlevy’s four foster kids, she’s got her hands full. The Thomas clan is the most mischievous group of youngsters she’s ever had to wrangle, but Lily loves the job. After all, what girl wouldn’t adore spending the holidays with a warmhearted new family—and their irresistibly handsome foster dad? 

Cullen doesn’t mind Christmas, but his Scrooge-like facade is there for a reason—to protect himself. His tough childhood caused him to hide behind his work and avoid entanglements at all costs. That includes avoiding falling for the deliciously tempting new nanny that Santa left for him this year…

Anyhow, when a fertile imagination has its way with an interesting subject… Well, that’s how stories are born. Whether or not the plot is autobiographical, a writer can’t help but infuse a little of herself and the things she loves into the story.

Have you ever related to a fictional character so much that she seemed real?  Who was it and what about her grabbed you?

One person who comments will win the book of her (his) choice from my backlist… Can’t wait to hear from you!

 


Has nothing to do w/this blog, but I love Logan Echolls!

Not too long ago I did a blog post on the best romantic comedy movies. Recently I’ve been thinking about why these movies work so well and I think they, in addition to romance novels, work because they hit on tried and true elements that just work for us. These are called tropes or cliches or plot devices, whatever you call them, they’re used again and again because they work. I went through that list of of rom coms we put together and tried to identify the trope(s) that the movie uses, well, for some of them, this list was too long to do all of them. (If you want more info on tropes, then here’s a great blog about them). 

  • French Kiss – this is classic Bait & Switch, where she’s masquerading a relationship with him to get the attention of another man only to fall in love with the first man. Le sigh…
  • Working Girl – this is kind of a spin on the boss/secretary trope paired with mistaken identity paired with the different classes. He’s rich and successful and powerful and she’s an overworked and under appreciated secretary who ends up masquerading as her boss’s partner. 
  • Six Days and Seven Nights – here we have forced proximity, I mean they’re literally deserted together on an island. There is also an age difference as well as well as opposites attract. And Harrison Ford, which always helps, but you know I don’t think there is a HF trope. :-) There should be though!
  • Notting Hill – simple boy from small London neighborhood meets uber famous American actress & they end up forced together. 
  • 27 Dresses – Here we have mistaken identity paired with enemies to lovers. A good example that the enemies don’t have to hate each other so much they want the other person dead, they just have chemistry and don’t understand it. 
  • The Cutting Edge - Who doesn’t love a good Taming of the Shrew story? We also have opposites attract and forced proximity, it all combines for a great movie. 

So what do you think? Do you have certain types of stories (or tropes) that you will read/watch again and again? I know that I’m a total sucker for marriage of convenience/forced proximity as well as best friends to lovers. 


RTRR 300x450Today we welcome back historical romance author, Michelle McLean. Thanks for joining us again, Michelle. 

Top 5 Favorite Things About Writing Romancing the Rumrunner

  1. The Research – I always have fun researching my books, but this one was particularly fun. Aside from a few movies set in this era (and reading the requisite Fitzgerald and Hemmingway books in school), this isn’t a time period I knew much about so I got to spend a lot more time researching than I usually need to. It was fabulous! This is such a fascinating era, one that I really enjoyed playing in for awhile.
  1. The Music – The music surprised me. I’d heard some songs (I’d been a huge Betty Boop fan when I was younger so it was fun to listen to the songs of Helen Kane, the woman who inspired the cartoon (despite the creator’s claims to the contrary)). Two things surprised me the most: 1 – it is almost all upbeat. I had a very hard time finding a song that wasn’t peppy. Even the sad songs were something you could really dance to. And 2 – they were naughty! And not all that subtle about it either. Some of the songs will downright make you blush! Check out Bettie Smith’s “Empty Bed Blues” ;-)
  1. The Characters – I love all my characters, but Tony and Jessie were so much fun. Poor Tony just wants to get his life back on track and make sure he doesn’t make any more seriously horrible mistakes, and Jessie is in the same boat. They try so hard to stay away from each other but just can’t help themselves. Set against the already clandestine back drop of speakeasies and the flapper era, they were just an absolute blast to write.
  1. The Setting – I had a lot of fun with this. From Jessie’s butcher shop to Tony’s P.I. office to the speakeasies (Jessie’s underground gothic hangout The Red Phoenix and Tony’s plush and hip club The Corkscrew) the settings were fascinating to research and create in the book. I even spent days researching 1920s automobiles and had Jessie take one for a spin (btw, they had some seriously gorgeous vehicles back then, including Al Capone’s totally tricked out armored and bullet proof Cadillac) 
  1. The Fashions – gorgeous! Fabulous! I don’t have the arms to pull off the dresses, but would love to try :-D The fringe, feathers, sheer overlays, beadwork, rhinestones *happy sigh*. Oh, and the accessories – if I could pull off those bejeweled “across-the-forehead” headbands, I’d walk around in them all day.
  2. phoenix necklace What’s really interesting to me is what a huge leap fashion took. Just ten years prior, women
    were still lacing up their corsets, aiming for the tiniest waist possible. While skirts might have gotten fuller, bustles might have been added or taken away, necklines might have gone higher or lower, for the most part the typical silhouette of a woman hadn’t changed much in a very long time.By the late 1920s, when Romancing the Rumrunner is set, fashion had undergone a massive make over. Lacing up until you passed out was a thing of the past, and women moved to soft silky camisoles, panties, and bras along with their short hemlines, strappy dresses, and boxy silhouettes.

All in all, this was a simply fascinating time period to write. In fact, this might just be my favorite of all my books (just don’t tell the others) ;-)

In honor of my heroine Jessie, who runs her speakeasy under the alias The Phoenix, I’ll be giving away a 1920s style Phoenix necklace to one lucky commenter!

me 300x450 Author Bio:

Romance and non-fiction author Michelle McLean is a jeans and t-shirt kind of girl who is addicted to chocolate and Goldfish crackers and spent most of her formative years with her nose in a book. She has a B.S. in History, a M.A. in English, and loves her romance with a hearty side of suspenseful mystery. When Michelle’s not editing, reading or chasing her kids around, she can usually be found in a quiet corner working on her next book. She resides in PA with her husband and two children, an insanely hyper dog, and three very spoiled cats.


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