Shana’s blog yesterday got me thinking about sexy heroes (like I actually needed an excuse). But to go in the other direction from animated heroes, let’s talk about the wicked ones and why are they so damn sexy?
This question was posed to me for this blog and I decided to tackle the topic because well, who doesn’t love to talk about sexy men? Now the easy answer is…because they’re HOT!
I take this notion of creating heroes quite serious. Consider it for a moment…when you’re reading a romance novel, you want to root for the heroine and fall in love with the hero. If I can’t create a hero that readers can fall in love with, then I’m not doing my job right.
But what is it about the wicked ones, the bad boys, that really call to us? They don’t in the real world (for the most part). I mean most of us are married to the good guys. I know I am. My husband is a college professor for Pete’s sake. While he’d love to thing of himself as a rough-and-tumble tough guy, he’s a big ‘ol softy. So that’s what I want to come home to every night, but when I snuggle up with a book, sometimes I want that rogue.
I think the biggest appeal is not so much how naughty they are, but that they’re naughty with a chance at being redeemed. We want to be that woman that brings that bad boy to his knees. We secretly long to be that girl, the one with the stack of books and the glasses sitting in the school cafeteria and the hottest guy in school walks past those cheerleaders because he can see the reality of who that girl is. He wants to know her. It’s all tied into that fantasy.
So the redeem-ability factor is huge. The other thing is those naughty men give the heroines a reason to be naughty, even if only behind closed doors. It’s nice to fantasize about being able to be daring and reckless with a man, to trust him so much we’d let him take us anywhere.
All right readers, your turn, who’s your favorite bad boy hero? It can be TV, book, movie, whatever.
Something strange must happen to mothers of young children. I remember Kristan Higgins talking about how when her kids were young and how excited she was when a cute actor was on Sesame Street. She’d call her girlfriends to make sure they were watching.
At the time, my daughter was too young to watch Sesame Street, and I think I chalked it up to another one of those weird but funny things Kristan Higgins does.
After four years of watching children’s shows and movies almost exclusively, I think they have messed with my head. I’ve noticed I have crushes on fictional heroes—and not fictional heroes like Jamie from Outlander or Roarke from JD Robb’s In Death series. Heroes like Flynn Ryder from Tangled.
Here he is.
He’s funny! How could you not like that? And he’s a thief who ends up reforming. That’s the stuff romance novels are made of, right? Bad boy hero meets the heroine and changes to be a better man.
And then there’s Terence from Tinker Bell and the Lost Treasure.
He’s a great friend to Tinker Bell. I could totally see a Young Adult novel where the best friend Terence ends up winning the fairy heroine.
And I can’t forget Nod from Epic. He’s cute and a warrior. How we do love our sexy warriors in romance novels.
Do you have any crushes on fictional guys—cartoon or otherwise? And if you, like me love Flynn, check out my All Flynn Pinterest board.
There is much to appreciate in the male physique. I am a connoisseur. I consider it part of my job and well, The Professor (my DH) understands, though he does require reminding at times – I tell him, it is my job to know what *other* women find sexy. I can’t very well write authentic to-die-for heroes unless I spend some quality time perusing the male form.
I’m sure you’d all agree.
I’m a big fan of a nice, strong back. Good abs are always nice. And a firm jaw, that certain gets my attention. I can’t forget the eyes, I’m always drawn to eyes (like Joseph Fiennes, not sure what I’d do with myself if those eyes were ever to look in mine…swoon…) Here’s where the confession comes in. I have a thing for thumbs. Yep, you heard that right, but don’t give up on me yet. Ever watched a good romantic movie and the man runs his thumb along the woman’s bottom lip? Or maybe he wipes away one of her tears. All with his thumb. I don’t know what it is about it, but damn it’s sexy. It can even transform completely innocuous actors like Tom Hanks and Billy Crystal into sexy men. I brought visual aids though to prove my case, if you’re still not a believer.
Consider the Peppermint Patty guy. I’m sure you’ve all seen the commercial.
Okay tell me that isn’t sexy when it nibbles that bite off his thumb. Whoa!
It’s a strange fascination, I’ll grant you that. Maybe it’s just an extension of my finding male hands attractive. They’re a great indicator of a man’s strength. Though perhaps it’s nothing more than a way that men in Hollywood pose, just like that common pose for Hollywood starlets to be walking away from the photographer and to look back over their shoulder. Why do they do that? Is it simply to show off the lovely backless part of their dress? Is it simply to look coy? But I digress.
I really think what this boils down to is the little things. You know how when you’re first attracted to someone, you notice those minute details that make them so much more enticing to you. That’s part of why we all love romance novels, isn’t it? To relive that first blush of falling in love (and of course knowing it’s the forever kind of love). To be mesmerized when the hero brushes a curl away from the heroine’s face or when he traces his thumb against the sensitive flesh at her wrist. Shiver! It’s intoxicating and how wonderful that we get to all relive it again and again. Romance readers and writers are quite lucky in that regard.
So how about you? What’s that tiny thing that always gets you going about the opposite sex? Do you agree with me about the thumbs? Or do you like earlobes instead?
*this blog was originally posted as a guest post at the Goddess Blogs
ONE SCANDALOUS NIGHT
by Robyn DeHart
Miss Winifred Wilmington pulled her green velvet cloak tighter around her. She exhaled and a puff of air was visible in her breath so cold was it inside the carriage.
“We are going to die in here,” her maid, Polly, wailed.
Winifred rolled her eyes heavenward. “I seriously doubt that,” she said. “It is rather cold, but I suspect someone will be along soon enough and rescue us.”
“I could remind you that it was my suggestion that we leave earlier in the day. Or yesterday.” Polly grumbled. “It is the eve of Christmas, who else is traveling?”
The thought had crossed Winifred’s mind as well, but she certainly wouldn’t put voice to it. There was no need to panic, that would solve nothing. Of course therein lay one of the significant differences between herself and her long-time maid, Winifred was nothing if not practical. It was a skill she had learned out of necessity. One didn’t get jilted at the altar and not make some significant changes in one’s life. In any case, she was somewhat concerned about being stranded in this frigid carriage all night, though she was hopeful that someone would come along to save them.
Clearly she had a highly active imagination as she could swear she heard carriage wheels off in the distance. Would that it was true.
Polly sat up. “Do you hear that?”
Polly was so apt at creating drama, no doubt the woman thought she heard wolves outside. “What?” Winifred asked.
“A carriage is coming,” Polly said.
Perhaps it hadn’t been her imagination after all. Winifred listened and the wheels did sound as if they were drawing nearer. Hope bloomed in her chest. The wheels rumbled and the horse hooves clattered louder and louder until they were upon the, and they rolled to a stop.
“As long as it’s not a highwayman, I suppose we can consider ourselves rescued,” Winifred said.
A male voice spoke to their driver, then there was a rap at door.
Winifred leaned forward and opened it.
A tall gentleman stood there in a great coat with a top hat perched upon his head. He held a cane in his hand. “Madams,” he said, the timbre in his voice deep and rich.
A chill skirted over Winifred’s arms despite the fact she was encased in her cloak. “Good evening, Sir,” she said. “I should thank you for stopping to assist us. Can our carriage be repaired?”
“I do not know, nor am I inclined to look,” he said. “I will offer you a ride.”
Winifred considered his words. It wasn’t a perfect solution, but it would do. “Yes, my grandmother’s estate is not far from here. We would very much appreciate it.”
“No,” he said.
She frowned, shook her head. “I beg your pardon? What do you mean no, you just offered to give us a ride,” she said.
“A ride. To where I’m going.” He tapped his cane against his chest. “In the morning you may have the carriage take you to your destination,” he said. “But in this weather I am going nowhere else.”
“And where is it that you’re going?” Winifred asked.
“Coventry Hall,” he said.
Nerves prickled at her neck, standing the little hairs there on end. “You are?” Winifred asked.
“Alistair Devlin, Marquess of Coventry,” he said with only a shadow of a bow.
“Oh good heavens,” Polly said, finally breaking her silence. She shook her head violently. “Miss Wilmington, we mustn’t go with him.”
“Don’t be rude, Polly.”
“Yes, don’t be rude, Polly,” he repeated. “I don’t believe you’ll have any other options tonight.” His shoulders rose in a slight shrug. “Though you could certainly choose to stay here and freeze,” he said. “I have made the offer.” He turned on his heel and walked away.
“Miss Wilmington, you know what they say of him,” Polly said. “Mary who works for Lord Garrick says she knows the housekeeper that used to work at Coventry. He is a killer,” she whispered. “Murdered his own wife, tossed her right off a cliff, they say.”
“Don’t be so dramatic, Polly.” But of course Winifred had also heard those rumors and plenty more when it came to the Marquess of Coventry. He had a most interesting reputation. But the man was right, the odds of someone else coming along to rescue them were very slim. “It is a good offer,” Winifred said. “Consider this, Polly, being tossed off a cliff should result in a rather quick death whereas freezing in this carriage would be slow and painful, I suspect.”
Polly did not look convinced.
“Pipkin, I should like to get down please,” Winifred called to the driver. He was there in a breath to assist her to the ground.
The frigid air swirled around her, snow fell, soft as a whisper, covering her face and sticking to her eyelashes. She put her hands in her muff and walked toward the other carriage.
Polly raced up to meet her. “Miss Wilmington, think of your reputation.”
Winifred shook her head. “Don’t be silly. I am a spinster who was jilted; no one cares a whit about my reputation. Furthermore, my reputation certainly won’t matter if I freeze to death now will it? Are you coming?”
“I shall not ride with that man,” Polly said with a firm shake of her head.
“Suit yourself. Do try to stay warm,” Winifred said.
“If you go with him, I shall resign,” Polly warned.
“Don’t bother, I shall simply dismiss you,” Winifred said.
Polly made a growling noise, yet still followed behind. “I shall come with you to keep you safe, but I refuse to ride inside with him.”
“Do whatever you wish, Polly, I am riding inside where it promises to be nice and warm.” And with that a gloved hand reached out of the carriage. She took a deep breath and placed her hand in his and climbed into the carriage. A lantern hung from a hook on the other side of the carriage illuminating the interior. She took a seat on the plush bench across from where the marquess sat. “Thank you for your hospitality.”
“Your maid, she is going to ride outside?” he asked.
“She’s a stubborn lot,” Winifred said.
“You sacked her,” he said.
“Third time this week.” She waved her hand dismissively. “Polly and I have plenty of disagreements.”
He nodded, then picked up the book that had been sitting on the seat next to him. The carriage lurched forward.
She eyed her unlikely travel companion. He was tall and lean and formidable, but younger than she had expected. She’d heard of the Marquess of Coventry, but had never before seen him. He couldn’t be more than five and thirty. His cane leaned against the bench next to him and his gloved hand held onto the gold knob on top. She looked up at his face. An ugly scar slashed across his left cheek leading to his eye. He looked up from his reading as if he sensed her perusal. His eyes were a startling shade of green, like the first bloom of spring after a blistering winter.
“My name is Winifred Wilmington,” she said dumbly.
“I know who you are,” he said, then went back to his reading.
She frowned. How had he known who she was? Perhaps he’d merely inquired from her driver when he’d first stopped. “What are you reading?” she asked.
“Shakespeare. ‘As You Like it,’” he said.
She was quiet for a moment, trying to recall if she’d read that particular play. It seemed she must have, but at the moment she couldn’t recall a single thing about it. “You know I am not afraid of you,” she said. “I don’t think it’s very intelligent to believe everything you hear about a person.”
“Indeed,” he said, not bothering to look up from his book.
“Oh yes, people are quite hateful with the rumors they spread.” She forced herself to stop talking then as she was about to tell him about a particularly nasty rumor, but then that would be gossiping. She knew she became chatty when she was nervous and she certainly did not need to say something she would later regret.
“What is it that people say about me?” he asked, again not looking up from his book.
She eyed him for a moment, trying to gage if he was toying with her. He must know what people said. Even the servants gossiped about him.
He looked up at her and once again she was caught in those unusual green eyes. His right brow rose expectedly.
She swallowed. “That you murdered your wife.” Her voice came out weak.
“But you do not believe that,” he said.
“No, I do not.” She shook her head. “You are obviously a responsible and kind gentleman.”
“You do not know me,” he said. He set his book aside. His glove gripped the gold knob on his cane.
“No, but you stopped to assist a stranded lady, that says volumes about your character, my lord,” she said, quite pleased with her logic.
He leaned forward, his eyes narrowed. “How do you know I’m not taking you to my castle to ravish you?”
She sucked in her breath. “Are you?”
He crooked his finger at her, beckoning her forward.
She leaned toward him.
He grabbed her by the chin and pulled her closer, then caught her mouth in a kiss. So shocked by the touch, her lips parted, giving him a brazen invitation to deepen the kiss. His lips were soft and unfamiliar, yet seductive, intoxicating. Her eyes fluttered closed and her hands gripped the fabric of his great coat around his shoulders. And then the kiss was over, ending as quickly and abruptly as it had begun. He leaned back in his seat and she was left in the middle of the carriage with her eyes closed, no doubt looking very much the goose.
“You should not be so trusting,” he said.
“You never answered my question,” she shot back once she’d regained her senses.
“If you were intending to ravish me once we arrived at your castle?”
His lips quirked up in a half smile. “I suppose you’ll have to wait and see.”
*This was originally posted as part of the An Historical Christmas Eve blog event on Not Another Romance Blog*
So my question to you is, do you like holiday themed books or novellas? Do you ever read them when it’s not the holiday season?
I try not to get hooked on too many TV shows. CASTLE, of course, is on my ‘must watch’ list and I violate my anti-reality TV rule to watch DANCING WITH THE STARS (though I’m rethinking that exception after Sabrina and Louie were booted off so unfairly!) But I’ve just got to share a new series that’s captured my imagination.
It’s called REVOLUTION. Here’s the trailer:
You may recognize Billy Burke, the actor who sleep walked through the role of Charlie in the Twilight movies. He’s totally believable as a sword-wielding action hero in this series. As an added bonus, he’s toting a tortured past. He’s certainly a draw for me, but the premise of the series is what initially caught my attention.
It seems to be rather loosely based on the DIES THE FIRE series of post-apocalyptic novels by SM Stirling. The inciting incident is that something happens to the basic fabric of physics which makes all electricity and combutstion engines stop working. In the books, gunpowder no longer fires, but in the TV series, guns still work. How people react to being thrown back into the technology of the middle ages is weirdly fascinating. And more than a little scary.
Another thing the series hammers home for me is the function of government. Aaron, the computer geek character, complains that they’ve all been tossed back into the school yard and the bullies are in control. Without a viable elected government to enact and enforce fair laws, he’s right. Whoever has the strongest arm rules.
As I write this, I don’t know what the outcome of our election will be. But I do know I’m thankful for our government, even when I disagree with it. Most of the time society works. Without that structure, it takes very little for humans to descend into chaos.
Ok that was all pretty serious sounding. The fact is, Billy Burke is incredibly watchable and I’ve got a new guilty pleasure to give CASTLE a run for his money.
How about you? Do you have a favorite TV show? Have you discovered a new one lately? I’d love to hear about it!