Let’s give a warm welcome to Sandra Orchard whose debut book for Love Inspired Suspense, Deep Cover is now on shelves. Be sure to check it out!

FIVE WAYS TO IMPROVE YOUR CHARACTERIZATIONS
The other night my daughter and son were sitting in the room below my office when my teenage daughter started squealing about how thrilled she is with the characters in the novel she’s writing. The next thing I know, she’s calling for help.
Preoccupied with my own writing, I called down, “Can’t your brother help you?”
More cries rose from the floor below. Muffled this time. Something like, “He did it.”
None to happy about being interrupted, I tromp downstairs, to find out what’s going on. Imagine my glee when I find my daughter duct-taped to her desk chair!

“Wait, don’t move,” I exclaimed, and ran back upstairs for my camera. You see, the heroine in the book I’m working on gets duct-taped by the villain to a chair. I’m seeing … research opportunity!!
I want to know how her muscles feel straining against the tape; the yow of ripped hair when its tugged off; the sensation of the scream building in her throat; the taste of panic when she realizes she can’t get herself free. And just how loud can she shout with a piece of duct tape on her mouth?
Our dear pup even decided to get in on the action and play the hero, doing the courtesy of ripping her free!
By this time, my daughter is getting right into the “research”, and my son is rolling his eyes, no doubt thinking that instead of quieting his nutty sister, he’d created two monsters!
Not only that, it gave me a great idea for this blog post: 5 Ways to Improve your Characterizations:
1) Act out the scenario. Concentrate on the five senses. Detail perceptions from the perspective of the point of view character. If the above scenario were from the pov of the hero, instead of the heroine, he might have described the quality of her scream, the jerkiness of her attempts to break free, the contorted look of her face pinned by duct tape. Nothing like seeing, feeling, touching, hearing and tasting to get the characterization right. Of course, my hero would’ve been much more empathetic than me. More like the dog, say.
2) Think back to a time when you experienced a similar event, or comparable emotion. Recall how you felt. Write it out, listing every detail you can remember. Maybe now realizing the oddity of the details you do remember. The specificity of incongruent details can be an effective way to characterize a person.
3) Interview someone who has experienced a similar situation, event, or loss to what your character faces. Ask lots of questions about how they felt, how they reacted, what they wished, what angered them, what helped them, how they coped etc. etc.
4) Interview your character. No, I’m not whacko. I know he or she isn’t real. But interviewing your characters is an effective way to get to the root of the motivation that’s driving them. A motivation you may not yet be aware of. My favorite question is “Why?” I ask the hero why he did something. When he gives me the answer, I formulate another why question related to his answer, and then another, and another. Eventually we dig deep into his psyche to discover what’s really driving his actions and reactions. And armed with that information, I can write more realistic, and better-motivated reactions.
5) Know every characters’ goal in the scene, and use them, and the other forces acting on the characters, to your advantage. That is, use subtext. Subtext is one of the least understood and yet most powerful characterization techniques. Subtext can be as simple as a facial expression that conveys what’s not spoken. It can be misdirection, innuendo, sarcasm, or metaphor. It can be a lie by omission as my undercover hero in Deep Cover finds necessary. Subtext tells the story beneath the story. A classic example of subtext in dialogue is when the heroine tells the hero, “I hate you.”
Does she? Or does she love him and is too hurt by his actions to admit it? Or does she love him, but knows it’s better for him if he doesn’t know, because he needs to go off and save the world or something? The subtext in that simple three-letter statement has the potential for several layers of meaning while generating tremendous emotion in the reader.
Your Turn: I’m giving away a signed copy of my book to one of our commenters. Please share one of your favorite examples of subtext in either a book or movie. OR share a memorable way you got into one of your characters’ head or heart. Check back on Sunday night at 9 pm CT when I’ll announce the winner of the drawing.
Sandra Orchard writes inspirational romantic suspense set along the northern shores of Lake Erie in the heart of the Niagara region, Canada. In 2009 she won Daphne DuMaurier Award of Excellence and sold to Harlequin’s Love Inspired Suspense the following year. She is an active member of ACFW, several RWA chapters including Faith Hope Love, and The Word Guild. When not writing, she enjoys hanging out with family, especially her new grandbaby, brainstorming new stories with fellow writers, and hiking or kayaking in God’s beautiful creation. Her newly released debut novel, Deep Cover, is the first in her series, Undercover Cops: Fighting for justice puts their lives—and hearts—on the line.
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