The USA Network uses the title of this blog as the channel’s slogan. It’s a truthful one. The shows are generally a simple concept, but filled with interesting characters that keep viewers coming back, because we care what happens to them. I think this is perhaps the most important aspect of writing. The challenge is creating sympathetic characters. USA has a stable of them from shows such as Royal Pains, Covert Affairs, Burn Notice… the list goes on.

In my book When Seducing a Duke, I set out to create less than perfect characters. The hero — Grey — is a man who has done awful things, and if he hadn’t been injured, he probably would have continued on his path. Readers had two reactions to Grey: love and hate. Some thought he was fabulous and others thought I should be burned at the stake for writing such a man. To me, these intense reactions mean I did my job. I made him real. Was he sympathetic? Obviously a few people thought so, but even people who told me they tossed the book on several occasions admitted to coming back, because they had to know what happened with Grey and Rose. So, I won some and I lost some, and I’m okay with that.

I find perfect people very uninteresting. Luke Skywalker didn’t become interesting until the Dark Side started working on him. Han Solo on the other hand, was interesting right from the beginning. Jack Sparrow is interesting. In fact, anyone Johnny Depp has ever played is interesting, because he makes them 3 dimensional people.

Right now I’m working on a project where the heroine is… different than those around her. Because of how I’m setting her up, there needs to be aspects of her that might be unsettling to some readers. I realized I was hesitating to do this because I’m worried readers might not like her.

Here’s the thing — I don’t think readers need to *like* a character, they just need to be able to *understand* the character. My job is to bring them deep enough into the heroine’s head to make that happen. I’ve often thought that to be a writer a person has to be something of a psychologist as well. A great example of this are the writers of the show Dexter. I say the ‘show’ because I haven’t read the books. Clearly they know what they’re doing if they can make a serial killer into a hero, but Dexter’s first person narrative is crucial for getting inside his head and seeing his struggle with his own nature. I find him fascinating.

Another way to make characters more realistic is to give them friends and family — even if it’s only one or two people. Parker on Leverage didn’t have a family growing up, and she’s aware that she’s broken in many ways, but now she has people who care about her and vice versa, and the writers are doing a great job of exploring how that character reacts to these relationships. This is why I watch so many cable shows now. I think the smaller networks take more care in building characters than trying to build platforms for their advertisers. But that’s a different soapbox.

So, as I visit my family (and take notes! lol), I want to know who some of your favorite characters are (TV, movie or book) and why these creations are like real people to you.

Meanwhile, look for new characters from me next June with the release of When Tempting a Rogue.