We writers tend to be solitary types. We work alone, isolated inside our heads, creating characters and worlds only real to us. Granted, some of us write with a partner, but these are few and far between. And for some of us, the first time any eyes but our own see our work is when we hit SEND and the manuscript whooshes through cyberspace to our editor.
Brave souls, indeed, in my opinion.
I don’t know the percentages, but from my observations maybe 50-60% of romance authors work with a critique partner or group. We’re still brave, but we want a little feedback before we hit SEND. That’s where the critique group or partner comes in.
Every group works differently, but usually critique groups operate something like this: members submit chapters from their current work-in-progress and the other members use Track Changes to make comments and suggestions. Some groups prefer to meet in person at a restaurant or coffee shop. Their members might take turns reading chapters and receive oral feedback. Other groups meet solely online. Still others are a combination of the two.
I’m not even sure how long I’ve been working with my current critique partner, Christina Hergenrader. I think we started working together in 2003, but it might have been early 2004. In any case, it’s been so long that she’s now one of my best friends. She was a bridesmaid at my wedding, and she and her husband are godparents to my daughter.
There’s something about writing and sharing that writing that engenders close friendships. Maybe it’s because in those early drafts of our work, we feel vulnerable. There has to be some element of trust in order to share such a personal part of ourselves.
I started critiquing with Tina and another friend, Courtney, before I was published. I hadn’t even told some members of my family I was writing romance novels. It wasn’t a secret, exactly, it just wasn’t something I wanted people laughing at me about. I wanted to see if I would have any success before I started calling myself a writer. I can’t tell you how much my CP’s praise and encouragement meant to me at the time. They believed in me, so I believed in me. They shared my successes and commiserated with me on my defeats. They understood in a way that no one who isn’t an author can understand. When I signed with my agent, I called Tina first. When I got that first contract, I called Tina first. And when I found out I was pregnant, I told my husband first (I’m not stupid!). But I told Tina second.
Do you have close friends who support you like this, friends with whom you can share those most vulnerable parts of yourself?



























































































May 7th
2010
5:48 am
Tonya Kappes Said:
I do have a great support system with my friends and family. I love my CP’s. We each get 20 mminutes to discuss the person’s pages we read and move on. If we didn’t have boundaries, we’d be there all day.
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May 7th
2010
7:09 am
Emily McKay Said:
Robyn and I are cp’s and have been … I think for about twelve years now. Over that time, she’s become my best friend.
The longer I write, the more crazy and insecure I become. So I don’t think I could show a stranger my work now. If Robyn ever decides she doesn’t want to work with me, I’m going to have to retire.
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May 7th
2010
7:52 am
Margo Maguire Said:
I don’t have a critique partner (wah!) but I DO have my husband, who is a great brainstormer and sounding board for me. He wants to know all about the wip and how it’s going. If I have any plot issues, he’s my guy. Very insightful!
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May 7th
2010
9:54 am
RobynDeHart Said:
Oh, you caught me on an emotional day, Shana. I think because I’m right at that stage where I’m furiously finishing up the book and sending chapters to my CPs as I’m done and you’re so right, the trust is a huge. I feel like Emily and I grew up as writers together, even though she sold about 2 years before I did, we’ve been through all of it together, lost contracts, firing agents, editor switches, RITA finaling, all of it and I honestly don’t think I would do it without her. Perhaps that’s too much dependence, but I feel like my books are as much hers as they are mine because we start at the brainstorming part, that initial kernel of an idea and then we work together until I turn it in. But even more than that, she’s a great friend, she was in my wedding and I was at the hospital when her daughter was born and I would have been when her son was born had I not lived 1000 miles away at the time. I don’t think you can have a good CP relationship without really liking and trusting the person.
Great post, now I’m taking my sappy self back to my work.
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May 7th
2010
10:27 am
Emily McKay Said:
Oh, see, now I’m tearing up.
yeah, it really is a joint effort. It’s like this weird co-dependent, symbiotic thing. It would not be good if we ever had to write a book by ourselves. And I feel so possessive of her work, and I’m sure she feels like that about mine.
I sometimes think about authors like Jane Austen and think, how in the world did she do it? Of course, she only wrote six books, so maybe that’s how she did it. Just much more slowly. Or maybe … I don’t know, like the ghost of Shakespeare haunted her and he was her CP. Now there’s an idea for a paranormal.
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May 7th
2010
1:04 pm
Shana Said:
Oh, these stories are so awesome! And, Margo, my husband is a great brainstormer too!
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May 7th
2010
8:56 pm
Tina Said:
Great post (look at me critiquing!).
I love you, too, Shane. And yes, it was 2003. Maybe we should start to celebrate our “CP-versary!”
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