
I received some fabulous news earlier this week! Polish Publisher, Proszynski Media, has purchased the Polish language rights to my historical Women’s Fiction novel, WITH VIOLETS (written as Elizabeth Robards – that’s my historical nom de plume).
In the early stages of my career, I thought once you sold the book – you’d sold the book. End of story (pardon the pun). Not so. Each language and format (hardcover, mass-media paperback, trade paperback, film, e-book, audio, etc) is considered an individual “right” and potential sale – depending on which rights you sell and the contracted agreement the writer and agent draws up with the publisher. So far WITH VIOLETS has been translated from English into Korean and Italian. Now it’s making its way into the Polish market.

Hearing the news, also reminded me that I haven’t told you the story of how I came to write WITH VIOLETS, which is a story based on historical facts, with the missing pieces “painted in.”
Here is the story behind the story:
When my husband and I set off for Paris in May 1999, little did I know the trip would change my life. I’d lived in France and longed to return to Paris; it was my husband’s first trip to this magnificent country. Our main focus (besides food) was art. From the Louvre to the Musée d’Orsay, to the Musée National de l’Orangerie, we immersed ourselves in the works of the great masters.
I was particularly interested in the French Impressionists. I’d always loved their work and was anticipating a daytrip to Giverny, Claude Monet’s home and famous gardens. Before we boarded a train at the Gare Saint-Lazare, to make our way to Giverny, we stopped at Paris’s Musée Marmottan to gaze upon Monet’s infamous ‘Impression, Sunrise’ (Impression: Soleil Levant), the image that launched the French Impressionist movement.
On the second floor of the Musée Marmottan, I “met” Berthe Morisot for the first time. Not literally, of course, since she died in 1895. Still, her essence permeated her luminous paintings on display on the second floor of that old mansion. Even though I’d been a fan of the Impressionists, I wasn’t familiar with her work. I was immediately captivated by her style and drawn to a photograph of Berthe and her family. Something about the photo haunted me and urged me to research her life. In doing so, I discovered the tale of a deeply complex, richly talented woman who bucked nineteenth century convention to become one of the world’s greatest artists. It also became exceedingly clear she was likely very much in love with the great painter Édouard Manet, the brother of the man who would become her husband.
Very little is documented about the depth of Édouard and Berthe’s affinity for each other. Biographers recognize their intense friendship and acknowledge hints of romantic fancy in her correspondence. Also telling are reports of Berthe’s extreme jealousy of Manet’s wife, Suzanne, and his pupil, Eva Gonzalés. Most revealing, though, are the portraits Édouard painted of Berthe between 1872 -74. In the span of his career, Manet did not paint anyone as often, nor as passionately as he portrayed her.
It’s well documented that the Manet brothers doted on Berthe. Some biographers have implied a bit of sibling rivalry ensued over her attention. Alas, Édouard was a married man. Eugène was not. For all intents and purposes, Eugène won when Berthe became his bride on December 22, 1874.
Upon the announcement of her engagement to his brother, Édouard painted Berthe one last time. The portrait prominently showed off her engagement/wedding ring. Once she married Eugène, Édouard never painted her again. According to documentation, Berthe took her marriage vows seriously, had a daughter with Eugène and settled into a close platonic relationship with Édouard, but it’s unclear to whom Berthe’s heart really belonged.
In WITH VIOLETS, I have attempted to portray the documented facts of Berthe Morisot and Édouard Manet’s lives as accurately as possible. However, the book is most definitely a work of fiction. I drew on her correspondence and attempted to “paint in” the missing peaces of Berthe and Édouard’s relationship, exploring what might have happened between them during the years prior to Berthe’s marriage to Eugène. It is with great awe and respect for Berthe and Édouard and their nonconforming, artistic spirits that I have asked the question “what if” and sketched a love story about what might have been….
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Congratulations to Gillian who has won an autographed advanced reading copy of Seduce Me. Thanks to everyone who participated and shared their idea of a great hero. Gillian, be sure to email me your mailing address so I can pop it in the mail to you, along with a couple of promo goodies. 






There is just something about a man with intense eyes. Dark eyebrows, long eyelashes, brown/blue/green or whatever color, that doesn’t matter as much as how he looks at you. Or rather the heroine. We like men that see past the heroine’s defenses, see past how she perceives herself or how others perceive her to the beautiful, passionate woman she is underneath. A man who can do that can penetrate our heroine’s walls and find his way into her heart as well as her bed. Joseph Fiennes is an actor who has those eyes. I can scarcily watch him in movies without being totally distracted by the sheer power in his eyes. Wooo!
A hero has to have a great smile. Now whether it be sly or fully dimpled doesn’t matter, but we like a man with a sense of humor. Growly, surly, brooding alpha males are great, but everyone finds something funny and it’s nice to see that. Especially if it’s the heroine that tickles his funny bone. Even if it only evokes a slight chuckle it grounds those characters and makes them more reachable to us, the everyman, because we laugh at ourselves (and eachother) all the time. Josh Holloway has one of those sexy, come-hither grins that just kind of melts the bones right out of your knees.
Let’s not forget that our heroes, more than likely, need a nice physique. That doesn’t mean they all have to be super athletic body builders, but even a London fop has nicely toned arms and a well defined stomach. More than like most of our significant others don’t look like this, but chances are most of us don’t have long flowing, gloriously curly hair with eyes that look great without mascara. It’s part of the fantasy and it’s okay to way our heroes strong enough to carry us over a puddle, among other things. Ryan Reynolds, I mean seriously, check out those abs! Scarlett Johansson gets to wake up to this every morning. does anyone else think that’s grossly unfair?
Okay this one might be a little personal, but I love a man in glasses. Matthew McConaughey in A Time to Kill, hello, so sexy in that with his wire-rimmed glasses! And while I dig the spectacles thing, I think it has less to do with the actual glasses and more to do with the fact that even though it’s a stereotype, glasses do tend to make people look smarter. I love smart men (hello, married a college professor, not one of mine though, in case anyone is wondering…) as smart often means witty which goes back to the sense of humor thing. But cleverness and intelligence are sexy. Who doesn’t want a man who can solve the puzzle and figure out who the bad guy is or build them a raft so they can escape the dessert island. Smarts are sexy as are glasses and just in case you were prepared to argue otherwise, I’ve provided proof a la Johnny Depp.




Did you know that if each of us replaces just one normal light bulb with a compact fluorescent bulb, in a year we’d save enough energy to light 3 million homes? Did you if we all bought just one pack of toilet paper made with recycled paper we could save 1.3 billion galleons of water?
Bring reusable tots to the store instead of using plastic bags –The right reusable tot is actually easier to use than those plastic bags! They don’t rip. They hold more. You can buy ones that are insulated and keep your ice cream cold all the way home, even if you live in the boondocks, like I do. Best of all, you don’t have to store those plastics bags to recycle!
Recycle your old batteries — Yes, using rechargeable batteries is even better, but everybody’s got at least a few of the old ones floating around in those flash lights we never use or that walkman from 1994. So why not designate a corner of the junk drawer just for old batteries. Then, once or twice a year you can drop the old ones by Radio Shack to be recycled (it’s free!). ‘Cause we don’t need those nasty chemicals filtering into water table via the landfill. 






































































