December 21, 2007
To watch or not to watch
Written by Shirley Karr in Jaunty PostSomebody please explain to me the enduring appeal of the tragedy. Shakespeare’s Romeo and Juliet, for example. I read it as required for my freshman English class, and have never felt the need to revisit the tragic tale of two doomed young lovers. Old Bill also penned some fine comedies, brilliant one-liners (”Would that my horse were as fast as your tongue”) and lovely sonnets but most people if asked to name something he wrote would probably name a tragedy. Hamlet. Macbeth.
Wednesday night we had passes to a sneak peek of Sweeney Todd, the new Johnny Depp-Tim Burton collaboration. I had planned to go again tonight, for my birthday, but I don’t think I can handle another viewing. Don’t get me wrong — this film is fantastic and has already garnered several well-deserved award nominations, including Golden Globes for Best Picture, Actor, Actress, and Director. The performances are excellent, and by casting actors who can sing (yes, Johnny sings, and quite well, imho) rather than singers who act it doesn’t come off hokey like some musical films I’ve seen. There’s plenty of intelligent dark humor, and Sacha Baron Cohen (aka Borat) is especially funny. Alan Rickman continues to be one of my favorite villains, and he and Johnny sing an intriguing duet.
But the story… Oi vey. It’s based on a Broadway musical (which won a Tony for Best Musical) which was based on a book, which in turn was based on a bunch of other stories. The tale of a barber who seeks revenge for wrongfully being sent to prison, and his accomplice, the pie-maker who helps him get rid of the bodies of evidence in a most grisly manner, has been around for over 150 years. Was Sweeney Todd a real person? Maybe, maybe not – the jury’s still out.
With a sub-title of “Demon Barber of Fleet Street” I didn’t expect a cheery ending – a man bent on revenge, lots of sharp razors, and lyrics in the trailer like “We all deserve to die. The lives of the wicked should be made brief and for the rest of us death would be a relief” – but I didn’t expect to spend the last half hour of the film in stomach-clenching dread. Oh no, he isn’t going to… Oh, he didn’t just… He is, and he did.
It didn’t happen the way I expected (which is good – I like it when a film zigs when I expect it to zag) but the last 10 or 15 minutes of the film when everything comes together, realizations are made… I’m still cringing. Not because it’s bad (well yes it is a horrible ending but it’s very well done) but because I need a happy ending. This ending is satisfying, or at least appropriate (though couldn’t they have given Anthony and Johanna just a tiny happy moment of denoument?), and really the only way things could end, given the people and what they’ve done, but still… There’s a reason I write romance and not another genre: the happy ending.
The Brits love gory tales – just look at the body of films about Jack the Ripper (including From Hell, another great Depp performance) but for that one I understand why it’s remained popular for so long. The murders really were committed, were never officially solved, and we want closure. Answers.
What do we want from a tragedy like Romeo and Juliet or Sweeney Todd? To look at them and think, my lot in life isn’t so bad?
Why do you like them, read them, watch them? Or are you like me, figuring life is tough enough and I want the happy ending at least in my escapist entertainment?
































